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FILM / TELEVISION: |
PLAYING THE GAME
(web TV series) |
Jeremy’s father
(episodes 2, 3, 15) |
Greek Chorus
Productions, 2007 |
AE4HG |
Human
(principal) |
Greek Chorus
Productions, 2005 |
MOST GUYS TODAY |
Nigel LaBellete
(principal) |
Greek Chorus
Productions, 2005 |
LIBERTY STREET: CYCLE ONE |
Pencil Neck
(principal) |
Epitome Pictures/Paul Lynch, 1994 |
X-RATED: THE MOVIE |
Pencil Neck
(principal) |
Playing with Time/Kit Hood, 1993 |
DIVORCE COURT (Webb vs Webb) |
Nathan Webb
(principal) |
Divorce '92 Productions, 1992 |
CITY SAFARI |
Chris
(principal) |
Fleischman/Livingstone, 1992 |
CHRISTMAS CHARITY TELETHONS
|
Anchor |
Rogers and McLean-Hunter Cable,
1987-91 |
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RADIO / VOICE-OVER / READINGS: |
Various proclamations and appearances |
Official Town Crier |
Town of Caledon, 2011 |
EXPECT RESPECT |
Ensemble Actor |
Theatre Orangeville, 2011 |
BATMAN 69
(on-line fan film) |
Narrator |
Timothy Forbes, NY, 2011 |
EARTH DAY - PAYBACK
(dramatic reading) |
Reader & Producer Text by Margaret Atwood |
Burlington, 2010 Bolton, 2010 Caledon, 2009 |
A CHRISTMAS CAROL (abridged) |
Solo Reader (in performance) |
Millcroft Inn, 2009 Erin Radio (with CBC), 2008 Haliburton Art Gallery, 2002
Hillcrest Inn, Wisconsin, 2000 & 2001 |
AURA: FATE OF THE AGES
(computer game) |
Belik |
The Adventure Company, 2004 |
NIGHT LIFE
(award-winning animated short) |
Dick Gumshoe (principal) |
Greek Chorus Productions, 2002 |
READINGS IN THE RAFTERS
|
Reader |
Alumnae Theatre Company, 2001 & 2002 |
SCRIPT LAB |
Reader (public script workshops) |
Equity Showcase Theatre, 1990-1994 |
TORONTO - Stories from the Life of a City |
Documentary character voices |
Lynx Images/Barbara Chism, 1993 |
INSIDE OUTLANDIA (series) |
Wilhemina |
CKMS-FM, Waterloo, 1980 |
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MUSICALS: |
SWEET CHARITY |
Oscar (lead) |
Orangeville Music Theatre, 2010 |
WHERE'S CHARLEY |
Charley (lead) |
Yorkminstrels, 2001 |
FOOL'S LOVE (based on Twelfth Night) |
Sir Andrew Aguecheek (support) |
Workshop performance, 2000 |
THE GRAND DUKE |
Ludwig (G & S lead) |
St. Anne's Music & Drama Society, 1994 |
THESPIS |
Thespis (G & S lead) |
St. Pat's Players, 1993 |
SWING SHIFT |
Phone Booth Madrigals (writer/performer) |
CAMTA, 1992 |
BEST LITTLE WHOREHOUSE IN TEXAS
|
Melvin P. Thorpe (lead) |
Yorkminstrels, 1991 |
LITTLE SHOP OF HORRORS |
Bag Lady/Mrs.Luce/Patrick M. (support) |
Scarborough Music Theatre, 1991 |
ANNIE GET YOUR GUN |
Charlie Davenport (lead) |
Etobicoke Musical Productions, 1990 |
PUSS IN BOOTS |
King (lead) |
Limelight Dinner Theatre, 1989 |
SUGAR |
Jerry/Daphne (lead) |
Etobicoke Musical Productions, 1988 |
SHOWBOAT |
Frank Schultz (lead) |
Etobicoke Musical Productions, 1988 |
THE MUSIC MAN |
Marcellus Washburn (support) |
SummerStage Company, Belleville, 1987 |
GODSPELL |
Herb
(ensemble piece) |
Calvary Players, 1983-84 |
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COMEDY: |
DON'T DRESS FOR DINNER |
Bernard
(lead) |
Caledon Town Hall Players, 2007 |
LEND ME A TENOR |
Max
(Thea Award Nomination - Best Actor) |
Caledon Town Hall Players, 2005 |
THEATRESPORTS |
Performer - main cast |
Bad Dog Theatre, 2003-04 |
I HATE HAMLET |
John Barrymore
(lead) |
East Side Players, 2002 |
MURDER IN PARADISE |
Regis Philman |
Mysteriously Yours, 2002 |
MYSTERY OF THE MALTESE BLUE JAY |
Theo Fettman |
Mysteriously Yours, 1998-2001 |
MURDER ON THE LIMELIGHT EXPRESS |
Norman Sockett |
Mysteriously Yours, 1999-2000 |
THE Y2K FILES MYSTERY |
Willy Gates |
Mysteriously Yours, 1999 |
TANGLED WEB MYSTERY |
Sherlock Holmes (and others) |
Mysteriously Yours, 1996-99 |
MURDER ON SUNSET BLVD. |
Sam Spade
(detective)
/ Max |
Mysteriously Yours, 1995-96 |
MURDER ON THE HIGH 'C'S & others
|
Dick Crazey
(detective) |
The Guilty Party and P & M Prod.,
1986-96 |
WHEN THE AUTUMN MOON'S BRIGHT |
Poe/Inspector Burgerfrye/Thing |
Artemis Theatre, 1994 |
THEATRESPORTS |
Actor/Organizer/Workshop Leader
|
Toronto, Waterloo, Australia, etc.
1982-93 |
A HALTON HILLS CHRISTMAS CAROL |
Ghost of Xmas Past/Bruno/Teasal
|
P & M Productions, 1992 |
BULLSHOT CRUMMOND |
Fenton/Algy/Waiter/Schmidt/Marovich
|
Village Playhouse, 1992 |
THE SCREAM PLAY |
Spam Sade
(support) |
FASS Theatre Company, 1986 |
LAFFTIME '92 |
Comedy Cabaret Performer |
P & M Productions, 1992 |
BABEL RAP |
The Smoker
(lead) |
Kitchener-Waterloo Little Theatre,1985 |
IMPORTANCE OF BEING ERNEST |
Ernest Worthing
(lead) |
Elora Community Theatre, 1985 |
THERE GOES THE BRIDE |
Gerald Drummond
(support) |
Kitchener-Waterloo Little Theatre, 1985 |
TOAD OF TOAD HALL |
Toad
(lead) |
Kitchener-Waterloo Little Theatre, 1984 |
OH DAD, POOR DAD... |
Jonathan
(lead) |
University of Waterloo, 1983 |
FASS OR FICTION |
Mr. Spock
(lead) |
FASS Theatre Company, 1983 |
ALICE IN WONDERLOO |
Marvin Gardens
(support) |
FASS Theatre Company, 1982 |
FASSIFIED INFORMATION |
Reggie Sterdnurse
(support) |
FASS Theatre Company, 1981 |
ARSENIC AND OLD LACE |
Dr. Einstein
(support) |
Halifax Grammer School, 1980 |
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DRAMA: |
TEN LOST YEARS |
Various roles
(ensemble piece) |
Alumnae Theatre, 2001 |
THE REMORSE OF JUDAS |
Pontius Pilate
(lead) |
P.L.S. York Cycle, 1998 |
THE ELEPHANT MAN |
John Merrick
(lead) |
Village Playhouse, 1992 |
COUNT DRACULA |
Count Dracula
(lead) |
Scarborough Players, 1991 |
MURDER AT THE VICARAGE |
Lawrence Redding
(lead) |
Scarborough Players, 1990 |
LA BOHEME |
Gendarme
(supernumerary) |
Canadian Opera Company, 1989
|
MURDER WITH LOVE |
Roy Campbell
(support) |
Scarborough Theatre Guild, 1987
|
CRIMES OF THE HEART |
Barnette Lloyd
(support) |
East Side Players, 1986 |
NIGHT MUST FALL |
Hubert Laurie
(support) |
Guelph Little Theatre, 1985 |
THE FAME OF SIMON GIRTY |
Five character roles
(support) |
University of Waterloo, 1982 |
HAT TRICK |
Egan MacIntyre
(support) |
Sumwat Theatre Company, 1981 |
Commercial and Radio Drama
voice tape available.
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Specialties & General Background
· Singing voice: Baritone; violin and viola.
· Write, produce, and perform Murder Mysteries.
· Licensed to possess and handle
Stage firearms. Stage fencing experience.
· Mountain climber; proficient in most sports.
· Rappelling, rope rescue, Wilderness First Aid.
· Extensive stage management experience.
· Excellent ear for accents, esp. British and character voices.
· Employed as a theatre technician for five years.
· Managed a medical software company for three years.
· Drive my own car (standard shift).
· Familiar with all manner of office and shop equipment.
· Extensive design and directing portfolio (see below).
· Improv group finalist in CKCO-TV comic showcase.
· Conduct improvisation workshops
(high schools, Theatre Ontario Summer Courses, corporate clients).
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Directing / Design Credits |
THE OUTLAW ROBIN HOOD |
Director |
Theatre Orangeville Young Company, 2011 |
TREASURE ISLAND |
Director/Lyrics/Set Concept |
Theatre Orangeville Young Company, 2010 |
SQUABBLES |
Lighting Design |
Caledon Town Hall Players, 2009 |
WILLY WONKA JR. |
Set Design
(Centre 2000, Erin) |
Alton Public School, 2009 |
WHEN THE REAPER CALLS |
Lighting Design
(Thea Award Nomination) |
Caledon Town Hall Players, 2009 |
SYLVIA |
Lighting Design |
Caledon Town Hall Players, 2007 |
THE PERFECT MANHATTAN |
Lighting Design/Play Polisher |
Caledon Town Hall Players, 2007 |
AE4HG |
Production Design Consultant |
Greek Chorus Productions, 2005 |
LETTICE AND LOVAGE |
Set Design
|
Alumnae Theatre, 2003 |
THE UNINVITED GUEST |
Lighting Design
(Tarragon Extra Space) |
Down the Aisle Productions, 2001 |
CANADIAN NEW MEDIA AWARDS |
Lighting Design
(Glenn Gould Studio, CBC)
|
Delvinia, 2001 |
THE SNOW QUEEN |
Lighting Design on Tour
(Europe) |
Can. Children's Opera Chorus, 2001 |
ALONE TOGETHER |
Set Design |
Village Playhouse, 2000 |
THE STAR CHILD |
Technical Director
(du Maurier Theatre) |
Can. Children's Opera Chorus, 2000 |
TWO SHIPS PASSING |
Set Consultant |
Shows to Go, Theatre-on-the-Grand, 1999 |
A MURDER IS ANNOUNCED |
Set Design |
Village Playhouse, 1999 |
THE FLOWER HORSE |
Stage Manager |
Leah Posluns Theatre, 1998 |
THE REMORSE OF JUDAS |
Set Design |
P.L.S. York Cycle, 1998 |
PIRATES OF PENZANCE |
Production Design |
Victorian Operetta Society (Cobourg),
1994 |
ANTIGONE |
Set and Lighting Design |
Alchemist Theatre, 1994 |
FIDDLER ON THE ROOF |
Technical Director and Lighting Design
|
John Diefenbaker High School, 1994 |
TANGLE OF DOUBT |
Set Design and Construction
(Annex Th.) |
Screaming Despot Prods., 1994 |
MARKET TO MARKET |
Set Design and Construction
(School Tour) |
Discovery Players, 1993 |
THESPIS |
Set Design |
St. Pat's Players, 1993 |
BOX AND COX |
Set Design |
St.Pat's Players, 1993 |
THE GIPSY PRINCESS |
Set and Lighting Design |
Scugog Choral Society, 1992 |
THE MIKADO |
Set Design
(Scarb. Vill. Th.) |
Scarborough Music Theatre, 1992 |
OKLAHOMA! |
Set and Lighting Design |
John Diefenbaker High School, 1992 |
THE DESPERATE HOURS |
Set and Lighting Design
(Scarb. Vill. Th.) |
Scarborough Players, 1991 |
ALBERTINE IN FIVE TIMES |
Set Design
(Oakville Centre) |
The Oakville Players, 1991 |
EIGHT TO THE BAR |
Set Design
(Victoria Hall) |
Lakeshore Summer Festival, 1991 |
CALIFORNIA SUITE |
Director |
East Side Players, 1991 |
SILENT WITNESS |
Set and Lighting Design
(Markham Theatre) |
Unionville Community Theatre, 1991 |
I'LL BE BACK BEFORE MIDNIGHT
|
Sound Design |
East Side Players, 1990 |
COLUMBINE AND HARLEQUIN |
Set and Lighting Design
(Y.P.T.) |
Can. Children's Opera Chorus, 1990 |
FORTY CARATS |
Set Design
(Scarborough Village Theatre) |
Scarborough Players, 1990 |
THE GOLDEN VANITY |
Set and Lighting Design
(Markham Theatre) |
Can. Children's Opera Chorus, 1990 |
ANNIE GET YOUR GUN |
Set Design |
Etobicoke Musical Productions, 1990 |
LITTLE FOXES |
Set Design
(Thea Award Nomination) |
East Side Players, 1990 |
JESUS CHRIST SUPERSTAR |
Production Design & SM
(Oakville Centre) |
Burlington Light Opera Society,1989 |
SHADOW BOX |
Set Design |
East Side Players, 1989 |
SUGAR |
Set Design |
Etobicoke Musical Productions, 1988 |
GREASE |
Lighting Design |
John Diefenbaker High School, 1988 |
AND A NIGHTINGALE SANG |
Sound Design |
East Side Players, 1987 |
GODSPELL |
Stage Manager |
Playhouse 82, 1986 |
BABEL RAP |
Set Design |
Kitchener-Waterloo Little Theatre, 1985 |
I'LL BE BACK BEFORE MIDNIGHT |
Special Effects and Lighting |
Kitchener-Waterloo Little Theatre, 1985 |
SKIN DEEP |
Director/Production Designer |
Calvary Players, 1985 |
TOAD OF TOAD HALL |
Set Design
(U. of Waterloo Theatre of the Arts)
|
Kitchener-Waterloo Little Theatre, 1984 |
WAITING FOR THE PARADE |
Producer |
Kitchener-Waterloo Little Theatre, 1984 |
NO SEX, PLEASE - WE'RE BRITISH
|
Director |
Kitchener-Waterloo Little Theatre, 1984 |
THE FASSIST MANIFESTO |
Director/Writer |
FASS Theatre Company, 1984 |
THE MUMBERLEY INHERITANCE |
Stage Manager |
Kitchener-Waterloo Little Theatre, 1983 |
FOR ART'S SAKE |
Director |
Waterfall Theatre Company, 1983 |
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Training |
VOICE-OVER |
Debra Toffan, Keith Knight |
SCENE STUDY |
Alec Stockwell, Jeanette Lambermont,
Valerie Robertson, Theresa Sears, David Switzer |
CAMERA |
Theresa Sears |
IMPROV |
Ian Chaprin, Rob Nickerson, Tabetha Wells, Doug Buller |
CLOWN & MASK |
Jim Warren |
MOVEMENT |
Audrey Jolly, Pam Patterson |
AUDITION TECHNIQUE |
Theresa Sears, David Switzer, Gloria Mann |
VOICE |
David Smukler, Michael Connolly, Anita Noel-Antscherl |
COMBAT |
Mark Ingram, Naomi Hunter |
TECHNICAL THEATRE |
University of Waterloo |
T.V. PROD. & DIR. |
Rogers Cable, Nova Scotia Institute of Technology (Paul Bayliss, CBC) |
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